“The CW has released its list of returning and premiering shows for the spring/summer 2019 season, including ‘The 100’ season 6 one new addition and a few timeslot swaps.
First up is The 100 season 6, which premieres Tuesday, April 30 at 9 p.m., retaining its slot from season 5.”
Entire article here: https://www.hypable.com/the-cw-2019-premiere-dates-the-100-arrow/
SciFi Vision
Published: Monday, 21 January 2019
Tonight the second episode of the new series The Passage airs on FOX. The series follows the secret government facility, Project NOAH, that has found a dangerous virus that scientists think could lead to the cure to every disease, including the outbreak of the Avian flu that is spreading. However, when test subjects turn into monsters, they believe their only chance of success is to give the vaccine to someone younger.
Federal Agent Brad Wolgast (Mark-Paul Gosselaar) is tasked with bringing in young orphan Amy Bellafonte (Saniyya Sidney), but changes his mind and decides to protect her instead.
In tonight’s episode, more backstory is revealed about Dr. Jonas Lear, played by Henry Ian Cusick, who discovered the virus. The story delves into why he and Tim Fanning (Jamie McShane), patient zero, went into the Bolivian jungle in the first place.
Cusick recently talked to SciFi Vision about his work on the series, his character’s backstory, and more. He even teased about what is to come on The 100.
SCIFI VISION: Were you familiar with the book series before becoming involved? Did you read it when you got the role?
HENRY IAN CUSICK: No. When I got the role, I was a guest star in this show, with the possibility that I might be recurring. There was never – well I don’t know what the writers had thought, but anyway, I was only going to do this one episode.
So, I hadn’t read the book, but as soon as there was talk of a possibility of coming back as a regular, I read the book. And, you know, I wish I had read the book earlier.
Okay, but you did read the book after. That was going to be my next question. [laughs]
[laughs] Yeah, you know, I said to someone earlier that there’s a great line in the book where Amy Bellafonte talks about her first time seeing Lear, and he’s described as this wild eyed, long haired, great scientist.
Had I read the book, I would have opted to play that a little bit more in the beginning when I first met her. But still, there’s opportunity for me to go down that route, I hope. You’ll just have to watch the other episodes.
Other than the script then, since you hadn’t read the book at that point, was there anywhere else that you pulled inspiration from while creating the character?
You mean just for the pilot?
For the character in general, I guess. I’m not sure how long it was in between filming it.
So, here’s how it was. We shot the pilot, and then there was a break, I believe, and then we got a pickup for the pilot. Then we went in August, I don’t know, around that time, to shoot the rest of it.
I had read the book by then, but even in the book – I don’t know if you’ve read the book, but there isn’t very much for me to go on. There’re bits and pieces. Obviously my relationship with Fanning – in book three, that goes into some depth with Fanning and Lear. But what the writers have very cleverly done, is there’re so many blanks in there, that they’ve kind of filled them in in ways that you’ll find out, especially in my relationship with my wife, Elizabeth (Jennifer Ferrin), and they changed things slightly.
You know, in the book, she’s dying. In our version, she has Alzheimer’s, and I go [to Bolivia] to search for a cure for her.
So, they’ve changed things slightly, but I think in many ways they’ve certainly made Lear a lot richer than anything that was in the book.
But I did use the book as inspiration, as a plot, as markers, to say, you know, “Okay, Tim and I were best friends at Harvard; Elizabeth was part of the group.” You know, things like that.
I know you’ve played scientists before, but did you do any research or talk to any real scientists or anything like that to prepare for the role?
I just went with source material and with the script.
I had a lot of friends in the medical profession. I would ask them certain things, but I didn’t, you know, go to see any microbiologists. I just sort of went with the story and my gut.
When you did decided to take on the role, what was it specifically that stood out to you about the story or character?
What drew me to it, initially, I think, was a scene I was doing in the pilot. I was staring at Fanning, and it struck me quite hard, like, “what an awful predicament.” Here’s my best friend that I took to Bolivia, and here’s what I’ve done with him, and this is what I’m still doing with him. You’ll find out later on how exactly that happened, but here I am, experimenting on my best friend.
And the moment that I was in, I just thought there was a lot of potential storyline there. Is this morally right? Should I just, you know, end his life, or do I carry on experimenting on him?
I think that was the first time I thought that this character has a lot of potential. And this was when I was doing the pilot. I had no idea that I was coming back, but I think that was the point where in my mind, I thought, this character could come back, because there’s a lot of potential between these two characters. That was the hook.
So, you knew at the beginning though the backstory between the characters; that was all revealed to you right away? That’s mostly in episode two.
In the pilot, although I hadn’t read the book, I worked with Jamie, and I said, “Jamie, tell me the book.” Jamie had read everything, because Jamie was super well prepared. At that time he told me the backstories, so yeah.
Okay. I have seen the first three, and in episode two, we find out about his wife and why this all started. Throughout the first few episodes, a few times he voices his concerns about the morality of it, but even though he’s upset about it, he doesn’t do anything to stop it. Can you talk about this inner conflict and how that’s going to continue to affect his job at Project NOAH and his relationships with the other scientists?
I think that’s a really good point, but I justified that – you see that when he starts out, his soul objective is to find a cure for his wife. So, he enlists the help of Tim Fanning. Unfortunately, Tim Fanning brings along the military, and you know, once the military are involved – and he’s not very keen on the military, but he’s caught between a rock and hard place. He thinks, “The military have so much money, and if I could just find that cure, then everything would be fine.” It’s not that way, because, you know, the military are going to weaponize anything they find.
I justified it, that rather than take a moral stand and say “This is wrong; I’m out,” he stays in there, because he thinks, “If I could just find the cure, than it will all be worth it.” So, the end sort of justifies the means. He’d rather be part of the project than be thrown out because he’s taking a political and moral stand.
You mentioned how you filmed the pilot, and that there was a break before filming the rest of the season. It sounds like whole experience took place over a long period of time. Were you flying back and forth between Vancouver and Georgia a lot for The 100? It so, was that difficult? Or was this after the fact? I’m not sure exactly what time frame you filmed this in.
You’re right; I was flying back and forth. Not many times, but I flew back a few times. [laughs] That’s a spoiler.
[laughs] Okay, I won’t put that in then.
[laughs] No you can put it in, actually, read into it what you want.
[laughs] Okay, because that’s one question people kept asking me that I’m like, “I can’t actually ask him if he’s still alive!” I’m like, “I’m not going to ask that!”[laughs]
Ask it. Go ahead and ask me; you can ask me anything.
Okay, [laughs] is Kane alive? [laughs] They wanted to know what was going to happen. I don’t think you are allowed to tell me that!
I will say this. On April the 30th, when it returns to the CW, in the very first episode, you will get pretty much everything you – well, a lot of what you need to know about what happens to Marcus Kane. It’s dealt with very early on. You don’t need to wait. So, definitely tune in and check it out.
I asked Mark-Paul this, so I’m going to ask you. This is genre TV, a science fiction vampire show, but different than what’s been on before. Obviously I’ve seen further, but for people just tuning in, can you give them a tease of why this show is different and why they should check it out?
So, I think what’s special about this show, is the size of it, the epic nature of this show, which is unlike anything else on network, I believe. We’ve seen apocalyptic shows and vampire shows, but we’ve never seen something that has so many different strings.
As you’ve seen from the pilot, you have a beautiful story between Mark-Paul and Saniyya. It’s sort of a father-daughter buddy story, and that really is the heart of the show.
And then, for example, on set I wouldn’t see Mark-Paul. I’d say, “Hey, Mark-Paul, what are you up to?” He’d say, “Oh I’m doing a father daughter movie.” “What are you doing?” He’d say, “I’m doing a vampire movie.” You know, it takes a long time for us to connect with each other, for all the strings of the stories to come together. For example with Vincent Piazza (plays Clark Richards), it took me a long time to get to know his side of the story.
So, what I like most about the show is the different strings to this epic adventure. And there’re so many other strings to it we haven’t even begun to touch upon. We’ve only [taken some from] the first book even though we did jump around a little bit, but there’s so much more story I think that will really surprise people. Also what the writers have really cleverly done, is they’ve added a lot of backstory which isn’t in the book, so you get to know a lot of my backstory. So, yeah, I would say it’s just the epic size. When you have a big ensemble cast, it’s always cool to pick the ones you really want to follow, who you like the best, the storylines. I think really there’s something for everyone.
Well, I’m definitively enjoying it so far.
Oh good, I hope you continue to enjoy it.
Thanks. I’m sure I will.
So, is there any room in the show for ad-libbing lines or are they pretty strict with the script?
You know, I’ve worked on LOST, and that was [one where] you could not deviate one jot from the script [laughs], so I know how strict scripts can be. This one we had writers on set, and it really was quite freeing in a way. We could deviate. As long as it meant the same thing as the lines, we could deviate.
And what’s lovely about having these writers, is they were open to suggestions. I think Jamie was really good at ad-libbing some things. And if they were good, they would say, “Yeah, say that.”
Even in the pilot, I think, Liz [Heldens] turned to me, and even though we got the script, she said, “Okay, this time say this” or she’d give me new lines each time.
So, I liked that a lot. I liked the freeness and the ability that we could change things, you know, when you have executives on set.
Was there anything you found particularly challenging?
I guess our time frame was pretty challenging. We were really pushed; we were up against it. For some reason it just seemed you were always – I think there was so much story, so much script, that you were always pushed for time. But challenges like that, that pretty much is common in television. Television works fast, and, you know, I enjoy a challenge anyway. People say “Challenges?” I go, “I want to be shooting, you know, in the Amazon pushing a boat across the jungle.” For me, that would be fun. Not that we did that; I was referencing another movie. [laughs] You know what I mean. The harder it is, the more fun it is for me.
Before you go, I do want to divert for a second. Because I was a huge fan of LOST, I wanted to ask you something about it, but something that was unique and hasn’t been asked, which is pretty hard to come up with. So is there something interesting you can think of that fans haven’t heard a lot about? Maybe a memory that stands out or something?
You know, when I shot LOST, I was so in it. I’ve never had a character that I wake up with in the morning – except in theater, but I’d wake up and I’d think, “I’m Desmond.” You know, I was always Desmond. It was a great gig. It brought me to Hawaii. I still live in Hawaii. It was just one of those [things]. I don’t have any particular story, but I do remember one time being on set and just thinking it just felt so right. It was just a great experience. I just wish I had enjoyed it a lot more when I was doing it. I was so in it that I didn’t really appreciate what I was in. And it’s hard to appreciate sometimes what you’re in. So this time around with The Passage I got to really be in the moment and enjoy it a lot more.
Okay, well, like I said, I’ve seen the first three, and I’ve really enjoyed it so far. I want to know what happens –
I think the show, progressively, I think it gets even so much better. I’m very proud of it. I haven’t seen everything. I’ve seen clips and ADR bits, but from the scripts, you know, it gets progressively better. So I hope you enjoy the rest of it.
I’m sure I will. Before you go, is there anything you tease about something coming up?
Which episode do I want to talk about? There’re so many good bits.
I’m going to give a shout out to Jennifer Ferrin, who plays Elizabeth. I really enjoyed working with her. She does a really great job in that role. Most of my stuff has been with Jamie and Elizabeth and I’ve really enjoyed working with those two. I think that for me is probably my favorite stuff I’ve been doing for the show.
TV Guide
By Liam Mathews
https://www.tvguide.com/news/the-passage-henry-ian-cusick-lear-fanning/
Episode 2 of The Passage, “You Owe Me a Unicorn,” filled in some of the backstory of how the shady Project Noah program came into existence. The Department of Defense-overseen program, where scientists study a virus that gives its carriers regenerative powers but also turns them into vampire-like creatures called “virals,” was the brainchild of Dr. Jonas Lear (Henry Ian Cusick) and Dr. Tim Fanning (Jamie McShane), the latter of whom became the first test subject after he was bitten by a viral in the Bolivian highlands.
Lear is morally uncomfortable with the human experimentation he does at Project Noah, but he does it anyway because he’s still trying to do what inspired him to study the virus in the first place: find a cure for his wife’s Alzheimer’s. In flashbacks, we saw Lear promise his wife Elizabeth (Jennifer Ferrin) that he would do whatever it took to heal her, even though this is not what she wanted. She just wanted him to stay with her. But instead he reached out to Fanning, an old college friend with whom Elizabeth had a falling out, because Fanning could help secure the funding Lear needed. Fanning was at first skeptical, but he committed when he found out that Elizabeth had early onset Alzheimer’s. He secured funding from the Department of Defense, which Lear didn’t like because that meant less control and a greater likelihood the virus will be used for nefarious rather than healing purposes. But in the first of his compromises, he went along with it.
Cusick says he’s playing Lear as a character who’s living in a moral gray area. “That’s always great for actors to play that gray area, and always for the audience to look in and wonder, ‘Well, what would you do? What choices would you make there?'”
Cusick says that as The Passage continues, the backstory will get filled in further. If you thought it was odd that Fanning had such a strong emotional reaction to finding out that Elizabeth was sick, especially since Elizabeth doesn’t want anything to do with him, you were picking up on something that will be explained later on. “Maybe she doesn’t like him now,” Cusick says. “Maybe there was a time when she did like him.” The relationship between the Lears and Fanning goes deeper than just being classmates and colleagues. “They have a very, very, complicated relationship,” Cusick says. “And by Episode 10 you see where they are.”
We know virals including Fanning have the power to enter people’s dreams, but we haven’t seen Lear’s dreams yet. As of now, Fanning is trying to send Lear ominous messages through other people’s dreams, telling Carter (McKinley Belcher III) to tell Lear “You already changed the world, you just have to wait and see how.” Eventually Fanning’s going to cut out the middleman. And when he does, it’s going to be intense.
Henry Ian Cusick, The Passage
The Passage airs Mondays at 9/8c on Fox.
Last week, fans got their first taste of The Passage, Fox’s ambitious attempt to adapt Justin Cronin’s sprawling trilogy about the rise of vampire-like Virals and the potential end of life as we know it.
Most of the action centered on Mark-Paul Gosselaar’s Agent Brad Wolgast, who went rogue to protect young Amy Bellafonte (Saniyya Sidney) from Project NOAH, the government-backed medical team using human lab rats to test a virus that could cure all of the world’s diseases (so far, not so
This week, we find out more about the origins of NOAH, including the past relationship between Henry Ian Cusick’s Dr. Jonas Lear and infected colleague Tim Fanning (Jamie McShane), as well as what this virus could do for folks if it’s successful and why Lear ever agreed to participate in something so ghastly.
Based on what we learn of Lear in Episode 2, I feel like he might be the only noble one at Project NOAH.
Henry Ian Cusick: Wow. Interesting you say that.
He had very pure intentions to start with, and now he’s really the only one who’s actually speaking the truth about how out of hand this has become.
Yes, I think you’re right. His intentions were always to find a cure to help his wife, who is suffering from Alzheimer’s. He didn’t know what to do so, he approaches his best friend, Tim Fanning, who’s become a bit of a star. The backstory is, they went to university together. They were great friends, and Lear became a microbiologist, married Liz, and they all knew each other. They were all at university together.
But she does not like him, which I love.
Well, she may have liked him at one point. So that’s kinda backstory.
The experiments at NOAH are so messed up. It’s so Tuskegee Airmen.
It is, yeah. The thing about using condemned criminals, if you gave them the choice and said, “You can either die, take the lethal injection, or you can stay on and become a Viral, which basically means you’ll be locked up in a cage for the rest of your life, you’ll be yearning for blood, you will never see daylight again, you will be experimented on,” would they take that choice? Probably not, I would imagine. The carrot is the cure. If you were a test subject that the experiments were successful on, you will be almost immortal, because you’d be immune to all these diseases.
So it’s a bit of a gamble and there must be a crisis of of conscience. “What am I doing? This can’t be right. I’ve got to save my wife.” So Lear is in turmoil most of the time. And there’s a line in the book when Amy Bellafonte first meets Lear [where he’s described as] some wild-eyed, long-haired, crazed scientist that has just been working in this basement for the past four years trying to find a cure.
That’s very different from your character’s look and from this version of the story, really.
Well, yes. Unfortunately I shouldn’t have said that to you, but when I first joined the show, I came on as a guest and I hadn’t read the book. I thought I was just one-and-done, and then it turned out that they invited me to come and be a regular on the show. I wish I had read the book, because then I would have messed my hair up and gone a bit wild eyed.
In this week’s episode, we get more of Lear’s backstory…
And there will be more later on in the show from [more] characters, including the NOAH subjects, which is one of the cool things we’ve got that I really enjoy. We get to see how they got there.
At what point do you Mark-Paul Gosselaar’s Brad interact with Jonas? You guys at Project NOAH are kind of sequestered in your own storyline.
Yeah, we used to joke about that. We’d pass each other on set say, “Hey, what are you up to?” I’d say, “Oh, I’m in a vampire movie. What movie are you in?” And he’d say, “Well, I’m making a father-daughter movie.” [Laughs] So we were very separate for the greatest length of time. As you know from the books, we will all eventually come together, because that’s what the show is about. So we all do eventually. We’re forced into making decisions together.
Can you preview what that’s about?
Well, I think my first meeting with Mark-Paul, I believe, is in episode four. And it’s very fleeting. But I would say, it starts to all go down around episodes seven, eight and nine. Of course by ten, it just goes kind of bonkers.
At some point I’m imagining we’re going to deal with masses of virals?
Hmm. When you say “masses,” how many masses do you mean? This is not a spoiler.If you’ve read the books, you know that by “masses,” we mean the world.
Right. Exactly.
But in our show, we’re still only a quarter way through the first book, even though we jump around a bit. So we’re not even close to that moment yet. At Project Noah, you’ll certainly see a lot more virals that we’ve experimented on and you’ll be introduced some new ones as well.
And there’s no real coming back from this virus, right? Like Fanning and Shauna (Brianne Howey) are pretty screwed.
As a scientist, Jonas would say you never know. If we find a cure, perhaps it could reverse the process and that’s what we’re trying desperately to work on. But for the purposes of the story, you don’t really want it to come to that. Because the virals are the next stage in evolution. They are not an evil thing, they’re just better than humans. The virals see us as the virus, you know.Next year is shaping up to be a great one for fans of genre television.
They could actually be our replacement.
Yes, exactly. They would be the next stage in what takes over the Earth. There was dinosaurs for a while, and then there was mammals, and humans, and then came virals.
The fandoms will kill me if I don’t ask: Will we see you on The 100, or are you in a medically-induced coma for the entire season?
[Laughs] No, you will see me on The 100 and you will find out what happens to Kane. It’s a great show. I mean, we’ve had six great seasons. Anything that runs to six seasons, that’s a hit, I think.
Do you find it weird that you’re now on the second show in a row about the end of the world?
It’s kinda interesting …wasn’t Lost about the end of the world, potentially? I don’t know why I’m drawn to these end-of-the-world stories! I just like shows that have big, high stakes. End-of-the-world shows are fun to be in. I mean, you don’t get bigger stakes than that.
The Passage, Mondays, 9/8c, Fox
ATLANTA (FOX 5 Atlanta) – The new FOX series “The Passage” features a large ensemble cast of television veterans, including actors Henry Ian Cusick (“Lost”) and Jamie McShane (“Bosch”). And because the show films right here in Atlanta, Good Day Atlanta’s Paul Milliken got a chance to sit down with the actors on the set and learn a little more about their experiences working on the project.
Cusick stars as Dr. Jonas Lear, who travels to Bolivia to search for a mysterious miracle cure and ends up infecting his best friend with a vampire virus. McShane plays that best friend, which means he ends up spending much of the show locked up in a small cell.
For some actors, it might be a little challenging spending so much time confined in a tiny space, but as McShane joked to Paul, “In New York, that’s a two-bedroom!”
Meanwhile, Cusick says he’s having a great experience filming in Atlanta for the first time: “I’m blown away by Atlanta,” he says. “I didn’t realize it was such a cool little city. I had no idea it was as cool as it is. It’s really funky and I’ve really enjoyed…hanging out at Ponce, the Beltline. It’s just a really cool city.”
Click the video player below to check out more of Paul’s chat with Henry Ian Cusick and Jamie McShane
Don’t miss this next episode….. Monday….Jan 21, 9/8c on Fox!
Monday night’s episode of The Passage is titled ‘You Owe Me A Unicorn’ and has been labeled as Jonas Lear’s backstory.
Tune in at 9/8c and learn some more about this latest character Ian is bringing to us on Fox’s newest show!
From The Wrap.com:
“Dr. Jonas Lear (Henry Ian Cusick) feels responsible for what’s happening on Fox’s “The Passage.” That’s fair because, well, he kinda started it. And on Monday’s episode of the new drama, we will see how.
We spoke with Cusick ahead of his backstory-heavy installment — which TheWrap has an exclusive sneak peek from in the clip above — to find out how we’ll dive into the scientist’s story next week, in an episode that is similar to all the ones the actor did while playing Desmond on “Lost.”
Read entire interview and watch a preview clip here:
https://www.thewrap.com/the-passage-henry-ian-cusick-lost-backstory-episode-vampires-virals-fox/
Fox held a screening of The Passage pilot episode on January 10, ahead of it’s TV premiere on the 14th.
The cast gave some interviews on the red carpet before they went in to watch and here’s the video of that.
Watch and enjoy!
Thank you to Mae Muldez of Muse TV for these!
Something Is Coming… to @FOXTV JAN 14th 9.00pm @ThePassageFOX https://t.co/R9hBf1XMEr via @YouTube
— Henry Ian Cusick (@hicusick) January 12, 2019
The Passage will be screening this week in five major US cities in advance of it’s US premiere next week on Monday Jan 14!
Following are the cities and dates:
Atlanta………Jan 7
New York….Jan 8
Houston…..Jan 8
Los Angeles….Jan 9
San Fransisco….Jan 10
Both the NY and LA screenings will have cast members in attendance, these screenings will also include a Q&A panel.
We’re happy to announce Ian will be attending the LA screening! So if you’re in the LA area on Wednesday night, don’t miss this opportunity to see him!
Pre Purchase tickets here: The Passage Screenings
